With its famous features the 2575 fluid head has become the standard for film production. The head includes OConnor’s patented sinusoidal counterbalance system for true, accurate balance at any point in the tilt range.
Whether in the studio or on location – the compact Cine 30 HD is an extremely reliable and flexible solution for daily film and HD use. Thanks to the Snap & Go side-loading mechanism, a pre-configured set-up is simply mounted sideways on the fluid head and removed again.
There’s nothing mini about this. Cinematographers’ choice! Being able to to tilt and pan has never been easier. Get smooth movements in your shots, that allow for creativity in the cinematograph
Compatible with ARRI bottom plates and other touch-and-go systems. Tilt angle +/- 30° without wedge plate; +/-90° with wedge plate. Selectable 3-speed gears, plus neutral.
It’s the next generation in Doorway Dolly development. Based on the industry proven designed & engineered Matthews Doorway Dolly, the new Round-D-Round model offers all-wheel steering which allows for greater turning flexibility and will turn in a tight 6 foot (2 meter) circle.
It’s the best dolly for professional film makers. Characterized by great stability, manoeuvrability, manageability and versatility, The dolly is very resistant and is capable under every environmental condition. Works immediately on or off dolly track.
Whether it’s on a tri-pod or resting on a table, this slider will get the job done. With the small rover dolly, you can quickly transport the camera to a tabletop push in. They work together seamlessly, allowing more time to film.
Unlike traditional fluid heads that have an arc in the tilt axis, Its “L” shape configuration allows the camera’s lens axis to rotate on the nodal point of the tilt axis. Both pan and tilt movements are assisted by CARTONI patented continuous fluid drag units.
Designed to carry up to 100 lbs. (45kg) of camera and fluid head weight, this is the most versatile of all lightweight jibs. Assembles in less than 5 minutes.
Multifunctional camera platform,variable-angled camera slider track, state-of-the-art technology and precision engineering, counterbalancing feature. It’s virtually the same as the original DC Slider except that the HDDC Slider can handle much larger cameras without compromising stability, and performance.
The versatile design of this tripod allows for ease of use when switching between sliders and fluid heads. The durability allows for payloads up to 77 lbs.
The Wireless Compact Unit WCU-4 combines three axes of lens control with a lens data display in a compact and ergonomic housing.
Manufactured in sleek black metal, this special edition of our ubiquitous studio follow focus unit combines a modern look with trusted engineering and a classic design.
Powermatic Scissor telescopic camera crane lets you easily capture creative shots usually done with high-end and expensive Technocranes.
Extending the scissor arm puts the camera right where you need it. The flexible motion allows the arm to open 17’ out and then retract back in.
High-grade Aluminum Crane Frame is lightweight & durable enough to hold 3-Axis Camera Gimbals with a maximum payload of 15kg / 33lb.
The high-speed special 70 steel bearings ensure outstanding durability & strength while providing smooth soundless movement every time you extend or retract.
It is perfect for tight indoor spaces as well as on-location shoots. It even fits into a private vehicle.
The Spin-3 Pan-Tilt with Joystick Control remotely controls your Camera when it’s mounted on a jib or crane.
The Spin-3 Pan/Tilt runs conveniently on 12 VDC from either a battery pack or the included AC power supply.
No jib is complete without a motorized pan/tilt head, and the Spin-3 Pan tilt’s robust yet light construction, the universal mounting base and intuitive control box makes it a breeze to set up and operate on virtually any jib.
The universal camera plate is adjustable for different sized setups and can support film and video cameras weighing up to 15kg / 33lb.
The precisely designed Head gives you incredible freedom of movement and gets you cinematic footage virtually anywhere.
Powermatic Scissor telescopic camera crane lets you easily capture creative shots usually done with high-end and expensive Technocranes.
Extending the scissor arm puts the camera right where you need it. The flexible motion allows the arm to open 17’ out and then retract back in.
High-grade Aluminum Crane Frame is lightweight & durable enough to hold 3-Axis Camera Gimbals with a maximum payload of 15kg / 33lb.
The high-speed special 70 steel bearings ensure outstanding durability & strength while providing smooth soundless movement every time you extend or retract.
It is perfect for tight indoor spaces as well as on-location shoots. It even fits into a private vehicle.
– Handheld 3-axis camera stabilizer system
– High torque brushless motors with a payload capacity up to 30 kg/66 lb.
– Allows the use of: ALEXA LF, ALEXA Mini LF, ALEXA Mini, AMIRA, 235, 416, TV Box Cameras or non-ARRI cameras wit similar dimensions and form factor.
The MAXIMA QL is a three axis electronically fully stabilized high performance gimbal. Its compact, lightweight design and perfect center of gravity provide new levels of freedom while its stable construction allows for compatibility with any camera system weighing 30 kg / 66 lb or less. Cameras like the Alexa LF, Alexa MINI, AMIRA, ARRI LT, 235, 416, any TV Box Camera, or cameras with similar dimensions as the the listed cameras can be used with the MAXIMA. Using the new SAM plates, ensures fast setup times and always the perfect COG of the camera. At the center of the unique design is an extremely durable ball bearing roll cage, as well as specially designed brushless high torque motors, making sure that there is always enough power in reserve, no matter how demanding the application.
The Ultrasonic Distance Measure UDM-1 measures the distance from talent to sensor plane, supporting the focus puller.
It’s the ultimate light-measuring tool for cinematographers & videographers as well as digital still shooters. Offering the most extensive range of fps (frames-per-second), cine shutter speeds, and shutter angle settings.
The Remote Control Unit RCU-4 is a compact accessory that allows complete remote control of the ALEXA and ALEXA XT cameras. Like the ALEXA cameras, the RCU-4 is simple to operate and will function with extreme reliability in even the most hostile environments.
The 633 is a compact, six-input mixer with integrated 10-track recorder featuring PowerSafe technology. It offers six analog inputs and records to SD and CompactFlash memory cards.
All of the safety and high power draw performance of NiMH cell chemistry technology is available in power package specifically designed for the integration of 24v film and 14v video equipment.
The Digital Battery series is designed to power contemporary digital productions and offers world-class levels of safety, performance and reliability in a sleek, ergonomic design
Easyrig 3 cinema gives you the advantages of both a handheld camera and tripod mounted camera, with the speed and mobility of the handheld camera you can still achieve steady pictures.
The Gravity One gives a much improved ergonomic solution for handheld camera work & greatly reduces unwanted motion in shots where the photographer is walking or running.
It stabilizes vibrations and motion errors on the vertical axis that comes from walking or running with the rig. It also stabilizes side to side errors in the same scenarios by counter pivoting around it’s center axis.
Apple Boxes are some of the handiest tools to have on the set or in the studio. Use them for propping or leveling, sitting or standing.
Needing to transport equipment to different locations? Do it in style and ease with a 3′ Wide Retractable Ramp, Collapsable Shelves and Roll Carts for maximum storage.
We offer both 15mm bowl and mitchell mount HiHats.
The Sony PVMA250 25″ Professional OLED Production Monitor is suitable for both field and studio use. It features a 24.5″ diagonal OLED panel that has a native resolution of 1920 x 1080.
Studio quality 24-inch LCD monitor suitable for use in broadcast networks and television stations, control rooms, and post production facilities–anywhere that highly accurate, reliable HD monitoring is required.
We have plenty of miscellaneous film gear like flags, scrims, silks, bounce cards, clamps, stands, sandbags, boom poles, shotgun mics, multiple audio mixers, light stands, C-Stands, and much more. Have something in mind? Call us and see if we have it, odds are… we probably do. If not, we’ll do our best to get you the look and feel you need.