ALEXA 35 is a 4K Super 35 camera that elevates digital cinematography to unprecedented heights. ARRI’s first new sensor in 12 years builds on the evolution of the ALEXA family over that period, delivering 2.5 stops more dynamic range, film-like highlight handling, better low light performance, and richer colors.
Impressively low noise and sensitivity settings ranging from EI 160 to EI 6400 make ALEXA 35 a “High ISO” camera. An optional Enhanced Sensitivity Mode can be applied to settings between EI 2560 and EI 6400, producing an even cleaner image in low light. This exceptional sensitivity, combined with the wider dynamic range and truer contrast, allows ALEXA 35 to capture the most delicate nuances of light and shadow in a wider range of shooting situations.
– Exceptional Image Quality
– Optical Viewfinder
– Rotating Mirror Shutter
– Efficient & Versatile Workflows
– Bright & Sharp Full Color Image
– Accurate White Balance
Another key feature of the ALEXA Studio is its 4:3 sensor, which makes it the only digital camera (aside from the ARRIFLEX D-21) to boast true anamorphic capability. Anamorphic lenses create a unique, cinematic look that has been appreciated by directors and cinematographers for over half a century, and cannot be created in post.
Another key feature of the ALEXA Studio is its 4:3 sensor, which makes it the only digital camera (aside from the ARRIFLEX D-21) to boast true anamorphic capability. Anamorphic lenses create a unique, cinematic look that has been appreciated by directors and cinematographers for over half a century, and cannot be created in post.
– Separate Camera Head & Body
– Highest Flexibility on Set
– Small form factor and low weight of M-head for lightweight ans size-critical camera and 3D applications
The ALEXA M is a flexible solution consisting of a separate camera head and body; it is tailored for action and aerial photography, tight corner shots and 3D productions. Based on cutting edge ARRI technologies, the M model features the same sensor, image processing, build quality, efficient workflows and exceptional image quality that have made ALEXA such a worldwide success. The head and body of the M are connected with a fiber optic cable, which in a hybrid form can also be used for powering the head. Weighing well under 3 kg, the compact front end offers multiple mounting points and versatile maneuverability. Meanwhile the body provides various options for recording images, sound and metadata, accommodating as many different workflows as the standard ALEXA.
– Built-in remote control features
– Real-time wired or wireless remote control of lens and camera
– Plug and play with ARRI Electronic Control System (ECS)
– Compatible with cmotion cvolution lens control systems
– Additional outputs
– Included DNxHD license
– Electronic horizon in viewfinder and metadata
– Lens synchronization for 3D
– Built-in tilt and roll sensors
– 1920*1200 max resolution
– 1500 fps in FullHD
– Ultra-compact design
– 2x 60GB and 1x 120 GB CineFlash
– USB 3 card reader
– Baseplate 15mm + rods
– Top Handle
– Sony BP-U batteries with D-tap
– AC power táp
– Full-frame performance with high sensitivity and wide dynamic range
– High performance BIONZ XR image-processing engine
– 4K (QFHD) high-frame-rate 120fps2 recording
– Cinematic color science with S-Cinetone™
– Enhanced mobility for solo operation
The FX3 Cinema Line camera offers high sensitivity and full-frame cinematic expression in an amazingly compact design. With enhanced mobility for easy solo shooting, alongside pro operability, it’s the ideal creative tool to capture a cinematic vision anywhere.
